种子简介
种子名称:
Lynda - mocha 4 Essential Training
文件类型:
文件数目:
100个文件
文件大小:
3.71 GB
收录时间:
2015-9-22 01:06
已经下载:
3次
资源热度:
102
最近下载:
2024-8-24 13:41
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种子包含的文件
Lynda - mocha 4 Essential Training.torrent
001 Welcome.mp42.07MB
002 Using the exercise files.mp44.88MB
003 Creating the first projects.mp46.68MB
004 Creating the first tracks.mp417.27MB
005 Planar tracking tricks.mp428.55MB
006 Checking and fixing the track.mp451.86MB
007 Timeline tricks - In and out points on projects and layers.mp47.21MB
008 Tracking objects that move offscreen with unlink tracking.mp419.17MB
009 Creating a fast rotospline.mp424.42MB
010 Using the data in After Effects.mp445.57MB
011 Introducing the different versions of mocha.mp47.23MB
012 mocha v4 user interface changes.mp46.69MB
013 Core modules - Clip.mp44.91MB
014 mocha v4 project setup and changes to the Clip module.mp410.1MB
015 Core modules - Track.mp45.3MB
016 Core modules - AdjustTrack.mp410.43MB
017 Lens Distortion (mocha AE & mocha Pro only).mp44.2MB
018 3D Camera Solver (mocha AE & mocha Pro only).mp44.13MB
019 Additional features included with mocha Pro.mp45.02MB
020 Launching mocha through After Effects.mp419.32MB
021 Setting up preferences - Output settings.mp415.34MB
022 Setting up preferences - System settings.mp410.4MB
023 Setting up preferences - Clip and Logging settings.mp412.06MB
024 Starting a new project.mp410.49MB
025 Preparing for tracking in the Clip module.mp425.48MB
026 Organizing rotospines with layer controls.mp420.21MB
027 Customizing keyboard shortcuts in mocha V4.mp48.55MB
028 Why use planar tracking_.mp430.45MB
029 Choosing the right place to track.mp428.63MB
030 What the planar tracker does not track.mp413.92MB
031 Setting the right tracking parameters.mp423.51MB
032 Tracking luminosity vs. color channels.mp46.54MB
033 What is the Surface_.mp424.37MB
034 Tracking scale.mp424.18MB
035 Working with track mattes to track complex shapes.mp435.3MB
036 Tracking rotation.mp443.15MB
037 When to use Shear or Perspective.mp424.16MB
038 What to do first when things go wrong.mp421.65MB
039 When to use the Adjust Track module.mp46.25MB
040 Using the Adjust Track module.mp436.07MB
041 What to do when objects go offscreen.mp419.55MB
042 Using the viewer helpers.mp426.07MB
043 The difference between visible layers and active layers.mp415.28MB
044 Dealing with issues with interlaced footage.mp428.87MB
045 Picking the correct Corner Pin export.mp437.26MB
046 Exporting transform data for match-moving.mp424.73MB
047 Exporting transform data for stabilization.mp419.71MB
048 Updates to using tracking data in After Effects.mp419.65MB
049 Troubleshooting 'bad' tracking data.mp416.1MB
050 Finishing touches and adding motion blur.mp425.18MB
051 Using Motion Corner Pin data.mp426.83MB
052 Exporting Motion transform data.mp417.27MB
053 Exporting mocha data to Final Cut Pro 7.mp436.3MB
054 How to work around the limitations of Final Cut Pro 7`s animation properties.mp432.95MB
055 Using mocha motion tracking with BCC Corner Pin.mp432.51MB
056 Using mocha transform data with BCC Lens Flare.mp428.17MB
057 Introduction to rotosplines.mp49.69MB
058 Setting up your layout for rotoscoping.mp418.08MB
059 When to use X-splines.mp421.39MB
060 When to use Bezier splines.mp425.39MB
061 Bezier Spline Point Types - Corners, Linear, Smooth.mp47.29MB
062 Connecting shapes to tracking data.mp430.05MB
063 Simplifying roto work with planar tracking.mp464.04MB
064 When to use multiple splines on a single layer.mp428.24MB
065 Checking rotosplines with the Matte view.mp411.61MB
066 Breaking down the task.mp48.55MB
067 Creating the main track and offset tracking.mp424.22MB
068 Using track mattes for difficult tracks.mp419.83MB
069 Breaking down complex shapes.mp427.57MB
070 Connecting and organizing rotosplines.mp415.58MB
071 Mixing shape types on a layer.mp419.95MB
072 Animation and keyframe controls.mp434.84MB
073 Using the Join Layers tool.mp430.8MB
074 Getting it right with Edge Properties.mp423.28MB
075 Taming the power of the berkey.mp421.56MB
076 Bringing shapes into After Effects.mp423.6MB
077 Handling complex mask shapes.mp441.48MB
078 Handling complex motion blur.mp417.9MB
079 Rendering shape data (mocha Pro only).mp419.04MB
080 Tracking in a different color space.mp442.99MB
081 When to use Align Surface.mp436.86MB
082 Exporting shape data to Premiere Pro CC 2014.mp418.18MB
083 Why it is important to correct for lens distortion.mp421.8MB
084 Setting up the distortion model.mp435.3MB
085 Using a grid.mp417.38MB
086 Using the undistorted data in mocha.mp416MB
087 How to use the distortion data in After Effects.mp455.85MB
088 When should you use mocha`s Camera Solver_.mp46.71MB
089 Identifying the type of camera movement.mp429.85MB
090 Picking the right surfaces - Pan and Tilt.mp466.47MB
091 Picking the right surfaces - Zoom.mp429.38MB
092 Picking the right surfaces - Parallax camera.mp436.43MB
093 Exporting and checking the 3D camera data in After Effects.mp460.48MB
094 Troubleshooting and limitations of the Camera Solver.mp431.38MB
095 Setting up a stereoscopic 3D project.mp415.04MB
096 Tracking S3D material.mp418.21MB
097 Rotoscoping S3D footage.mp426.59MB
098 Exporting stereoscopic 3D track and shape data to After Effects.mp429.65MB
099 Next steps.mp44.4MB
Exercise Files.rar1.51GB