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Video Production and Post Tips of the Week

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种子名称: Video Production and Post Tips of the Week
文件类型: 视频
文件数目: 170个文件
文件大小: 5.97 GB
收录时间: 2021-7-30 02:16
已经下载: 3
资源热度: 169
最近下载: 2024-12-24 07:53

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Video Production and Post Tips of the Week.torrent
  • 001.Using a GoPro to record a timelapse.118s.mp417.18MB
  • 002.Recording as stills.252s.mp435.72MB
  • 003.Recording as video.151s.mp421.6MB
  • 004.Assembly.453s.mp451.54MB
  • 005.The new GoPro HERO5 Black.144s.mp420.66MB
  • 006.Video stabilization.202s.mp428.74MB
  • 007.Linear lens correction.261s.mp433.98MB
  • 008.Waterproof.258s.mp436.66MB
  • 009.Raw photo.204s.mp428.54MB
  • 010.Improved software.283s.mp439.94MB
  • 011.Why is there buzz in my audio.70s.mp410.1MB
  • 012.Removing buzz during production.356s.mp450.18MB
  • 013.Removing buzz during post.444s.mp443.07MB
  • 014.What is noise.154s.mp421.1MB
  • 015.Reducing noise and grain in After Effects.562s.mp453.64MB
  • 016.Using Neat Video noise reduction.598s.mp453.21MB
  • 017.What is Rec. 2020.462s.mp462.99MB
  • 018.Rec. 2020 in production and post.297s.mp442.13MB
  • 019.Rec. 2020 for consumer products.280s.mp438.73MB
  • 020.Recording the screen of a phone or tablet.97s.mp413.93MB
  • 021.Recording software for PC.379s.mp441.83MB
  • 022.Recording software for Mac.352s.mp447.95MB
  • 023.Recording hardware.228s.mp432.34MB
  • 024.How do I light a product shot.73s.mp410.87MB
  • 025.How to set up the background.154s.mp422.08MB
  • 026.Using turntables to add motion.181s.mp425.89MB
  • 027.Lighting components.347s.mp448.99MB
  • 028.How can gimbals help stabilize shots.84s.mp412.25MB
  • 029.Full-size gimbals.254s.mp435.95MB
  • 030.Portable gimbals.297s.mp440.4MB
  • 031.What is depth of field.250s.mp435.4MB
  • 032.Wider aperature.301s.mp441.93MB
  • 033.Using a telephoto lens.225s.mp431.94MB
  • 034.Intro.157s.mp421.74MB
  • 035.Single camera.578s.mp457.66MB
  • 036.Multicamera rig.357s.mp448.25MB
  • 037.Challenges of skin tones.238s.mp433.87MB
  • 038.Essential items.230s.mp432.7MB
  • 039.Advanced techniques.427s.mp459.63MB
  • 040.The role of headphones in production and post.221s.mp431.51MB
  • 041.Headphone designs.416s.mp458.74MB
  • 042.Advanced techniques.254s.mp436.13MB
  • 043.Why color correct live on set.146s.mp420.39MB
  • 044.Working with a laptop only.318s.mp436.51MB
  • 045.Using a breakout box.476s.mp456.56MB
  • 046.Using a LUT box.550s.mp457.98MB
  • 047.What is a GPU.216s.mp430.75MB
  • 048.Desktop and mobile GPUs.455s.mp464.1MB
  • 049.Specifications to look out for.502s.mp470.49MB
  • 050.Benefits of using a drone.333s.mp446.64MB
  • 051.Challenges of shooting people.301s.mp442.18MB
  • 052.Safety advice.337s.mp447.21MB
  • 053.What is DCI P3.271s.mp435.23MB
  • 054.DCI P3 in production and post.295s.mp440.15MB
  • 055.DCI P3 for consumer products.328s.mp443.84MB
  • 056.What is LTO.342s.mp446.55MB
  • 057.Connection and generation options.441s.mp457.22MB
  • 058.Creating and using an LTO archive.421s.mp449.57MB
  • 059.Using LTO cataloging software.326s.mp434.75MB
  • 060.The challenge of proper exposure.192s.mp427.29MB
  • 061.Using ISO or gain.274s.mp438.84MB
  • 062.Using aperture.315s.mp443.38MB
  • 063.Using shutter speed.488s.mp467.06MB
  • 064.What is 3–2–1 backup.117s.mp415.38MB
  • 065.3 copies.252s.mp434.3MB
  • 066.2 formats.186s.mp425.16MB
  • 067.1 offsite.394s.mp454.95MB
  • 068.Shooting video with the iPhone 7.202s.mp428.62MB
  • 069.Using the dual lens system on the iPhone 7 to shoot video.232s.mp431.96MB
  • 070.Expanded functionality with the Mavis app.297s.mp440.74MB
  • 071.Why you need a clean sensor.105s.mp414.27MB
  • 072.Cleaning the sensor with the menu or a blower.250s.mp433.91MB
  • 073.Dry sensor cleaning.465s.mp465.18MB
  • 074.Wet sensor cleaning.319s.mp444.44MB
  • 075.Why batteries.112s.mp416.06MB
  • 076.Lights with internal batteries.248s.mp435.27MB
  • 077.Lights with external batteries.334s.mp447.11MB
  • 078.Using a generator.178s.mp425.4MB
  • 079.Why change the color of lights.186s.mp424.45MB
  • 080.Affordable methods.279s.mp439.48MB
  • 081.Changing the temperature of fluorescent fixtures.383s.mp454.03MB
  • 082.Bicolor and RGB lights.283s.mp440.11MB
  • 083.Aesthetics for high-angle shooting.110s.mp416.1MB
  • 084.Operating advice for getting high angles.287s.mp440.69MB
  • 085.Safety advice.325s.mp445.77MB
  • 086.Reasons to record live video on set.90s.mp413.21MB
  • 087.Capturing with Blackmagic's Media Express.415s.mp442.35MB
  • 088.Capturing with an NLE.285s.mp424.05MB
  • 089.Doing a test key with a captured file.265s.mp422.61MB
  • 090.The challenges of recording audio.104s.mp415.17MB
  • 091.Using an attached mic.301s.mp441.46MB
  • 092.Obstacles when using a lavalier microphone.204s.mp429.21MB
  • 093.What is YouTube Live Streaming.126s.mp415.92MB
  • 094.Setting up an account.258s.mp432.29MB
  • 095.Enabling and running a broadcast on YouTube Live Streaming.392s.mp445.05MB
  • 096.Variable ND filters.113s.mp416.47MB
  • 097.When to use a variable ND.266s.mp436.58MB
  • 098.The mechanics of using a variable ND.258s.mp436.54MB
  • 099.Why monitor wirelessly.166s.mp423.71MB
  • 100.Wi-Fi monitoring.232s.mp432.93MB
  • 101.RF monitoring.304s.mp442.37MB
  • 102.How to capture audio from a distance.109s.mp416MB
  • 103.Shotgun microphone.297s.mp441.55MB
  • 104.Boom microphone.297s.mp442.05MB
  • 105.Wireless microphone.298s.mp441.96MB
  • 106.The impact of frame rate.263s.mp434.28MB
  • 107.Shooting with standard frame rates.231s.mp430.3MB
  • 108.Shooting with high frame rates.350s.mp448.8MB
  • 109.Manually focusing.140s.mp420.22MB
  • 110.Why manual focus.201s.mp428.77MB
  • 111.Manual focusing technique.315s.mp444.57MB
  • 112.Aesthetics for low-angle shooting.198s.mp428.4MB
  • 113.Operating advice for getting low angles.260s.mp436.76MB
  • 114.Safety advice.263s.mp437.44MB
  • 115.What is Google Hangouts.102s.mp413.57MB
  • 116.How to start a Google Hangout.400s.mp455.22MB
  • 117.How to start a Google Hangout On Air.349s.mp434.57MB
  • 118.Advanced options for Google Hangouts On Air.419s.mp451.78MB
  • 119.Control room for Google Hangouts On Air.242s.mp425.88MB
  • 120.The benefits of stabilization.245s.mp434.79MB
  • 121.Using the DJI Ronin.273s.mp438.62MB
  • 122.Using the DJI Osmo.299s.mp442.24MB
  • 123.Using the ikan FLY-X3.265s.mp437.66MB
  • 124.The importance of white balancing.121s.mp417.52MB
  • 125.Using presets.272s.mp432.89MB
  • 126.Setting the color temperature.301s.mp442.53MB
  • 127.Performing a custom white balance.171s.mp421.4MB
  • 128.Why use log mode.256s.mp436.35MB
  • 129.Recording log mode in camera.383s.mp447.54MB
  • 130.Recording log mode with a disk recorder.293s.mp441.45MB
  • 131.The challenge of one light.128s.mp418.58MB
  • 132.What other gear do you need.249s.mp435.33MB
  • 133.Recording log mode in camera.310s.mp443.75MB
  • 134.Log-encoded video.107s.mp415.57MB
  • 135.Where does log come from and why use it.244s.mp434.78MB
  • 136.Viewing log.306s.mp440.81MB
  • 137.Three-point lighting.88s.mp412.98MB
  • 138.The key light.236s.mp433.49MB
  • 139.The fill light.226s.mp432.14MB
  • 140.The back light.186s.mp426.5MB
  • 141.Additional options.121s.mp417.16MB
  • 142.Memory cards and readers.104s.mp415.35MB
  • 143.Card types and speeds.450s.mp460.13MB
  • 144.Memory card readers.248s.mp435.25MB
  • 145.What is a Boom Mic and When Should I Use It.238s.mp433.83MB
  • 146.Holding the Boom.170s.mp424.47MB
  • 147.Pointing the Microphone Correctly.142s.mp420.46MB
  • 148.What is the 'right' Shutter Speed.227s.mp431.41MB
  • 149.Shooting With a Slower Shutter Speed.236s.mp433.39MB
  • 150.Shooting with a Higher Shutter Speed.303s.mp442.77MB
  • 151.What is transcoding.171s.mp419.16MB
  • 152.When Should I Transcode.375s.mp449.14MB
  • 153.How Do I Transcode.705s.mp462.96MB
  • 154.Why Might I Skip Transcoding.155s.mp422.41MB
  • 155.Using Facebook Livestream.85s.mp412.51MB
  • 156.Essential gear for live streaming.206s.mp429.42MB
  • 157.Starting a broadcast on Facebook.466s.mp452.02MB
  • 158.How many frames do you need for slow motion.235s.mp432.64MB
  • 159.Shooting high frame rate with a pro camera.279s.mp438.53MB
  • 160.Advanced options for high frame rates.423s.mp458.94MB
  • 161.4K versus UHD.91s.mp413.33MB
  • 162.Resolution numbers.310s.mp440.29MB
  • 163.Standards and beyond.266s.mp437.66MB
  • 164.What is Periscope.115s.mp415.14MB
  • 165.What gear do you need.278s.mp439.5MB
  • 166.Starting a broadcast on Periscope.639s.mp467.18MB
  • 167.When to use a point-of-view shot.108s.mp433.58MB
  • 168.Choosing a capture resolution for POV shots.290s.mp441.06MB
  • 169.Mounting the point-of-view camera.408s.mp457.56MB
  • 170.Evaluating the footage.310s.mp443.81MB