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种子名称： [FreeCourseLab.com] Udemy - Music Theory Comprehensive Complete Part 4, 5, & 6
文件类型： 视频
文件数目： 113个文件
文件大小： 1.24 GB
收录时间： 2020-6-18 15:22
已经下载： 3次
资源热度： 174
最近下载： 2024-7-5 00:33

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[FreeCourseLab.com] Udemy - Music Theory Comprehensive Complete Part 4, 5, & 6.torrent

1. Welcome & Overview/1. Overview.mp425.8MB

1. Welcome & Overview/2. Tools we will use in this course.mp48.49MB

1. Welcome & Overview/5. Asking Questions.mp49.83MB

1. Welcome & Overview/6. Review Session Major and Minor Scales.mp412.47MB

1. Welcome & Overview/7. Review Session Diatonic Chord Progressions.mp411.97MB

10. Second Species Counterpoint/1. What's New In Second Species.mp47.31MB

10. Second Species Counterpoint/2. Metric Accents and Diminutions.mp48.53MB

10. Second Species Counterpoint/3. Resolutions.mp46.75MB

10. Second Species Counterpoint/4. Second Species Counterpoint Rules Summary.mp43.94MB

11. Melodic Embellishment in Second Species Counterpoint/1. Passing Tones.mp414.36MB

11. Melodic Embellishment in Second Species Counterpoint/2. Consonant Skips and Leaps.mp49.29MB

11. Melodic Embellishment in Second Species Counterpoint/3. Neighbor Tones.mp413.35MB

12. Writing Second Species Counterpoint/1. First and Last Measures.mp412.62MB

12. Writing Second Species Counterpoint/2. The Melody Notes.mp420.02MB

12. Writing Second Species Counterpoint/3. Harmony.mp417.39MB

12. Writing Second Species Counterpoint/4. Summary and Tips.mp410.6MB

13. Third Species Counterpoint/1. Four-to-One Counterpoint.mp420.29MB

13. Third Species Counterpoint/2. The Cambiata.mp45.62MB

13. Third Species Counterpoint/3. Double Neighbor Tones.mp48.87MB

14. Fourth Species Counterpoint/1. Rhythmic Displacement.mp417.85MB

14. Fourth Species Counterpoint/2. Suspensions.mp47.35MB

14. Fourth Species Counterpoint/3. Going Downhill.mp45.4MB

14. Fourth Species Counterpoint/4. 4-3 Suspensions.mp47.75MB

14. Fourth Species Counterpoint/5. 7-6 Suspensions.mp46.65MB

14. Fourth Species Counterpoint/6. 9-8 Suspensions.mp48.87MB

14. Fourth Species Counterpoint/7. Consonant Suspensions.mp411.59MB

14. Fourth Species Counterpoint/8. Chains of Suspensions.mp49.68MB

14. Fourth Species Counterpoint/9. Summary of 4th Species Rules.mp46.53MB

15. Fifth Species Counterpoint/1. Free Counterpoint.mp411.64MB

15. Fifth Species Counterpoint/2. Writing Free Counterpoint.mp424.12MB

15. Fifth Species Counterpoint/3. A Brief History of Fux.mp43.56MB

16. Part 5 Wrap Up/1. What Comes Next.mp45.01MB

16. Part 5 Wrap Up/2. Thats it for Part 5!.mp43.47MB

17. Welcome to Part 6!/1. Introduction to Part 6.mp425.95MB

17. Welcome to Part 6!/2. Welcome to the Second Semester of College Music Theory.mp47.52MB

17. Welcome to Part 6!/3. Tools We Will Use in this Class.mp46.16MB

17. Welcome to Part 6!/5. Review First, Second, Third, & Fourth Species Counterpoint.mp47.16MB

18. Composing in an 18th Century Style/1. Overview of 18th Century Counterpoint.mp49.38MB

18. Composing in an 18th Century Style/2. Types of Motion.mp415.93MB

18. Composing in an 18th Century Style/3. Chordal Dissonance.mp411.37MB

18. Composing in an 18th Century Style/4. Cadences.mp46.87MB

18. Composing in an 18th Century Style/5. Cadences in BassMelody Counterpoint.mp47.01MB

18. Composing in an 18th Century Style/6. Starting Intervals.mp413.42MB

18. Composing in an 18th Century Style/7. Summary of 18th Century Counterpoint Rules.mp48.63MB

19. Melodic Embellishment (in Chorale Textures)/1. Non-Chord Tones.mp414.87MB

19. Melodic Embellishment (in Chorale Textures)/2. Suspensions.mp47.57MB

19. Melodic Embellishment (in Chorale Textures)/3. Example Analysis.mp413.06MB

19. Melodic Embellishment (in Chorale Textures)/4. Summary of Melodic Embellishment Rules.mp46.82MB

2. Modes (The Musical Modes, AKA The Church Modes)/1. Overview of Modes New Harmonic Territory.mp45.34MB

2. Modes (The Musical Modes, AKA The Church Modes)/10. The Locrian Mode.mp410.56MB

2. Modes (The Musical Modes, AKA The Church Modes)/2. How Modes Work.mp414.76MB

2. Modes (The Musical Modes, AKA The Church Modes)/3. The History of Modes.mp424.43MB

2. Modes (The Musical Modes, AKA The Church Modes)/4. The Ionian Mode.mp44.55MB

2. Modes (The Musical Modes, AKA The Church Modes)/5. The Dorian Mode.mp412.48MB

2. Modes (The Musical Modes, AKA The Church Modes)/6. The Phrygian Mode.mp47.55MB

2. Modes (The Musical Modes, AKA The Church Modes)/7. The Lydian Mode.mp44.95MB

2. Modes (The Musical Modes, AKA The Church Modes)/8. The Mixolydian Mode.mp48.22MB

2. Modes (The Musical Modes, AKA The Church Modes)/9. The Aeolian Mode.mp44.16MB

20. SATB Composition/1. Writing SATB Lines.mp44.24MB

20. SATB Composition/2. SATB Notation.mp410.06MB

20. SATB Composition/3. SATB Ranges.mp46.37MB

20. SATB Composition/4. Voice Crossings.mp46.66MB

20. SATB Composition/5. Doubling.mp412.61MB

20. SATB Composition/6. My Country Tis of Thee (Example).mp412.19MB

21. Phrasing in SATB Composition/1. T-D-T (Tonic, Dominant, Tonic).mp47.7MB

21. Phrasing in SATB Composition/2. Establishing the Tonic Area.mp45.7MB

21. Phrasing in SATB Composition/3. Establishing the Dominant Area.mp46.99MB

22. More with Cadences/1. The Perfect Authentic Cadence in 4 Voices.mp49.37MB

22. More with Cadences/2. The Imperfect Authentic Cadence in 4 Voices.mp46.86MB

22. More with Cadences/3. Half Cadences in 4 Voices.mp47.6MB

22. More with Cadences/4. Plagal Cadences in 4 Voices.mp46.13MB

22. More with Cadences/5. Deceptive Cadences in 4 Voices.mp45.06MB

23. Voice-Leading on the Dominant/1. Resolving Leading Tones.mp413.19MB

23. Voice-Leading on the Dominant/2. Other Voice Leading Requirements.mp419.08MB

24. Harmonizing Melodies/1. Harmonic Rhythm.mp413.67MB

24. Harmonizing Melodies/2. Texture.mp46.2MB

24. Harmonizing Melodies/3. Danny Boy (Example).mp427.54MB

25. Wrap Up/1. What Comes Next.mp43.81MB

25. Wrap Up/2. Thanks & Bye!.mp45.92MB

3. Using Modes/1. From Old to New Again Modern Uses of Modes.mp45.06MB

3. Using Modes/2. Analysis The Simpsons (TV Theme Song).mp438.56MB

3. Using Modes/4. Analysis Missa Pange Lingua (Choir).mp440.53MB

3. Using Modes/6. Analysis Eleanor Rigby (The Beatles).mp48.82MB

4. Deeper Into Intervals/1. Melodic Vs. Harmonic Intervals.mp45.85MB

4. Deeper Into Intervals/2. Using Visual Landmarks to Quickly Identify Intervals.mp49.83MB

4. Deeper Into Intervals/3. Compound and Simple Intervals.mp413.37MB

4. Deeper Into Intervals/4. MajorMinorPerfect Intervals.mp46.95MB

4. Deeper Into Intervals/5. Rules for Inversions of Intervals.mp49MB

4. Deeper Into Intervals/6. Summary of Intervals So Far.mp43.5MB

4. Deeper Into Intervals/7. Augmented and Diminished Intervals.mp412.75MB

4. Deeper Into Intervals/8. The Tritone.mp49.54MB

4. Deeper Into Intervals/9. Enharmonic Equivalence.mp45.69MB

5. Consonance and Dissonance/1. Consonance and Dissonance in Intervals.mp416.51MB

5. Consonance and Dissonance/2. Resolution.mp418.58MB

5. Consonance and Dissonance/3. Interval Classes.mp45.16MB

5. Consonance and Dissonance/4. Analyzing Intervals.mp427.98MB

6. Introduction to Counterpoint/1. What is Counterpoint.mp413.71MB

6. Introduction to Counterpoint/2. The Different Species of Counterpoint.mp49.66MB

6. Introduction to Counterpoint/3. Connecting Melodic Intervals.mp48.04MB

6. Introduction to Counterpoint/4. First Species Counterpoint - Melodic Rules.mp410.96MB

6. Introduction to Counterpoint/5. Connecting Harmonic Intervals.mp414.74MB

6. Introduction to Counterpoint/6. The 4 Types of Contrapuntal Motion.mp417.35MB

6. Introduction to Counterpoint/8. Parallel Fifths and Octaves.mp411.85MB

7. Writing Note-To-Note Counterpoint in Strict Style/1. The Beginning and The End.mp49.68MB

7. Writing Note-To-Note Counterpoint in Strict Style/2. The Middle.mp419.17MB

7. Writing Note-To-Note Counterpoint in Strict Style/3. The Riemenschneider.mp411.28MB

7. Writing Note-To-Note Counterpoint in Strict Style/4. The Rules All Wrapped Up.mp415.89MB

8. Part 4 Wrap Up/1. What Next.mp43.26MB

8. Part 4 Wrap Up/2. Thats it for Part 4!.mp41.68MB

9. Welcome to Part 5!/1. Introduction to Part 5.mp438.97MB

9. Welcome to Part 5!/2. Tools We Will Use.mp46.54MB

9. Welcome to Part 5!/4. Review Modes.mp47.2MB

9. Welcome to Part 5!/5. Review First Species Counterpoint.mp418.09MB